EMBERS
For cinematographer Zeke Collins, I developed a custom film emulation of Kodak Vision3.
The storyline straddled from moments of dry, clean air in the exteriors, to a thick, polluted coating of faraway bushfire in the interiors.
On-set live grade allowed for effective prediction of the film’s final colour palette, and allowed our talent to immediately contextualise their performances.
![](/assets/images/embers/A002C002_220607_R111_1.18.1.jpg)
![](/assets/images/embers/A001C016_220607_R111_1.16.1.jpg)
![](/assets/images/embers/A007C002_220608_R111_1.2.1.jpg)
![](/assets/images/embers/A008C005_220608_R111_1.16.1.jpg)
![](/assets/images/embers/A008C008_220608_R111_1.19.1.jpg)
![](/assets/images/embers/A010C013_220608_R111_1.44.1.jpg)
![](/assets/images/embers/A011C001_220608_R111_1.45.1.jpg)
![](/assets/images/embers/A015C002_220609_R111_1.21.1.jpg)
![](/assets/images/embers/A016C009_220609_R111_1.33.1.jpg)
![](/assets/images/embers/A018C002_220609_R111_1.39.1.jpg)
![](/assets/images/embers/A005C003_220607_R111_1.39.1.jpg)
![](/assets/images/embers/A005C008_220607_R111_1.44.1.jpg)